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"You write a song about something that you think might be taboo, you sing it for other people and they immediately recognize themselves in it," Prine says. You admit everything that's wrong and you talk about it in the sharpest terms, in the keenest way you can." "Back then, I just wanted to write songs I could be proud of and be able to play in five years," Billie Joe Armstrong said last year of his attitude while creating Green Day's 1994 pop-punk breakthrough Dookie.The LP went on to sell millions and Armstrong — who didn't get the credit he deserved as a writer back in the days of more serious-minded bands like Nirvana and Pearl Jam — has amassed one of the most impressive song books of the last 20 years. ), displayed a mastery of styles from throughout rock & roll history.

Dre tracks that gave him room to freak out as agilely and aggressively as he liked.

Taylor uses so much ice when her husband's out of town. Riley in 1968, it freed Hall to record his own work, which included songs about burying a man who owed him 40 dollars, mourning the death of the local hero who taught him how to drink and play guitar, and "Trip to Hyden," a journalistic tale of a drive to the scene of a mining disaster that was part Woody Guthrie, part Studs Turkel. When Elvis Presley recorded one of his songs, the result was 1956's epochal "Don't Be Cruel," which was simultaneously Number One on the pop, R&B and country charts.

One of Nashville's most overtly political songwriters, he was a liberal who recorded "Watergate Blues" and turned a drink in a bar after the 1972 Democratic convention into a Number One country hit called "Old Dogs, Children and Watermelon Wine." "I couldn't write the 'Darling, you left alone and blue' or 'I'm drunk in this bar and crying' [songs]— I just didn't get it," he once said. Blackwell subsequently gave Elvis "All Shook Up" and "Return to Sender," and wrote a cluster of hits for other artists, including "Great Balls of Fire" for Jerry Lee Lewis.

Benny and Björn had already been a songwriting duo for six years when they teamed up with their girlfriends Anni-Frid Lyngstad and Agnetha Fältskog — who were both Swedish pop stars already — to form Abba.

The two of them were hardcore about songwriting: they bought a cottage on the island of Viggsö where they could focus on making their music and lyrics as catchy as humanly possible.

"Each song had to be different," Andersson said in 2002, "because, in the Sixties, that's what the Beatles had done.