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"When Lambs and Aliens Meet: Girl-Faggots and Boy-Dykes Go to the Movies." In: Cross-Purposes: Lesbians, Feminists, and the Limits of Alliance / edited by Dana Heller. Two very differentlyconceived lesbian and gay festival organizations, sites at which decision making about collective identity is ongoing andself-conscious, are examined.pp: 95-106 Bloomington, IN: Indiana University Press, c1997."Lesbians and Film." In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture / editedby Corey K. The analysis traces how each responds to two related tasks: maintaining community legitimacy,which requires racial diversification, and surviving within an altered institutional environment. "The Voice of Pornography: Tracking the Subject Through the Sonic Spaces of Gay Male Moving-Image Pornography." In: Keyframes: popular cinema and cultural studies / edited by Matthew Tinkcom and Amy Villarejo. Many Asian countries have reported on the enormous usefulness of the Internet not only to make queer friends, but also to question and debate sexual politics.
This particularly becomes apparent in the Bollywood dance sequence--the frequent site of Hindi sex/gender play--whose coded queer desires are much easier to de-code (or re-code)when in the diaspora." [Article copies available for a fee from The Haworth Document Delivery Service: 1-800-342-9678.
Asian American history and culture."We Are Family: Miscegenation, Black Nationalism, Black Masculinity, and Black Gay Cultural Imagination." In: Race-ing Representation: Voice, History, and Sexuality / [edited by] Kostas Myrsiades and Linda Myrsiades. Lanham, Md.: Rowman & Littlefield Publishers, c1998. Isiling Nataf -- The gay gaze, or why I want my MTV / Steven Drukman -- La Belle Dame Sans Merci? "Laughing Hysterically: Sex, Repression, and American Film Comedy." In: Queer Representations: Reading Lives, Reading Cultures: A Center for Lesbian and Gay Studies Book / edited by Martin Duberman. New York: New York University Press, c1997."Gay and lesbian criticism." In: The Oxford guide to film studies / edited by John Hill and Pamela Church Gibson ; consultant editors, Richard Dyer, et al. Tauris ; New York : Distributed in the USA by Palgrave Macmillan, 2009. Relocating the homoerotic image of the "sad young man," a trope popular from Hollywood rebellion films of the 1950s and 1960s, to contemporary China, I discuss how this masculine icon has been transformed from one of heroic rebellion to one of existential isolation.
The gaze revisited, or reviewing queer viewing / Caroline Evans, Lorraine Gamman -- Black lesbian spectatorship and pleasure in popular cinema / Z. new man' theme -- The transgressive sexual subject / Cherry Smyth -- We're here, we're queer and we're not going catalogue shopping / Gregory Woods --Monika Treut: an outlaw at home / Colin Richardson -- The wild, wild world of fanzines: notes from a reluctant pornographer / Bruce La Bruce -- ? The impossibility of visual soliloquy / Anna Marie Smith -- TVOD: the never-bending story / Colin Richardson. "The Hypothetical Lesbian Heroine in Narrative Feature Film." In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture / edited by Corey K. Several models are discussed." [Sexual Diversity Studies] Author Abstract: "This essay chooses as its texts three films representing contemporary gay male subjects from each of the "three" China's: HK, Taiwan, and the Mainland.
He calls for an analysis of the tactical responses of (homo)sexual subjects to the historical situation of the exhibition of gay pornography.
"Erasure and Taboo: A Queer Reading of Bonnie and Clyde." In: Arthur Penn's Bonnie and Clyde / edited by Lester D. He suggests that film studies in the heteronormative academy relies on the practice of close analysis to contain the threat and promise of gay pornography and the space where it is shown.
London; New York: Routledge, 1997."Imaging the Queer South: Southern Lesbian and Gay Documentary." In: Between the Sheets, in the Streets: Queer, Lesbian, Gay Documentary / Chris Holmlund and Cynthia Fuchs, editors. While homophobia in the media has become less overt in the 1990's, the ideology of heterosexism remains dominant and largely unchallenged." [America: History and Life] "Battle for Britain." (conservative backlash against recent Englishmovies; includes related article on rules forbidding intentional promotionof homosexuality) Film Comment v24, n4 (July-August, 1988):62 (7 pages).