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Later, she and one of her eight dancers — who were no more hard-bodied than Pink, who, shall we say, is rather ripped — were suspended in the air Cirque du Soleil-style three stories or so above the crowd.

For her penultimate song, several costume changes later, Pink sang her self-sufficiency anthem “So What” (Sample lyric: “So what? ”) while strapped into a harness that rapidly zipped her over and above the crowd on both ends of the building, like a silver surfer super heroine.

I refused many times and eventually when night he put me in them and wore them as he wanted 24/7.

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I wish every dysfunctional a– kid like me would have somebody like that.” is “What About Us,” a rallying cry for the dispossessed that, as written, is extremely vague in its politics, all the better to be universally applicable to anyone who feels ignored or unappreciated.

In the prerecorded intro, though, Pink got specific, speaking up about being a proud feminist, flexing a bicep in a Rosie the Riveter pose, and speaking over a montage that showed images of rallying #Me Too and gun-control activists.

Even if you choose not to have your activity tracked by third parties for advertising services, you will still see non-personalized ads on our site. But his "In the Mix" column in the Weekend section ventures further afield, into books, movies, TV, the Internet, graphic novels and anything you might call "popular culture." Or, if you will, P! That’s the way the artist born Alecia Moore, who played a highly entertaining, action-packed, sold-out hometown show at the Wells Fargo Center on Friday night, stylizes her brand. The 38-year-old singer’s literal high-wire act began immediately after the curtain was pulled back at a moment when the multigenerational, mostly female crowd was already worked into a first-pumping frenzy by a DJ spinning Whitesnake’s “Here I Go Again.” And here Pink was one more time, back in the venue that the Doylestown native first played in 2000, when she was a pop-R&B upstart opening for N’Sync on the boy band’s This time there were lots of strings, or actually cables, attached to the enduring pop star as she initially appeared high above the stage atop a shimmery chandelier and proceeded to spin around several times in her shiny bodysuit before coming to earth in the Busby Berkeley-gone-berserk “Get the Party Started” opening number. When she wasn’t standing on her acrobat partner’s stomach, he was holding her by one foot while she, naturally, sang out on key while hanging upside down, never needing to gasp for breath.Appropriately enough, because there was little that Pink did in South Philadelphia that wasn’t worthy of an exclamation point. That was only the beginning of her can-she-top-this? Compared with the final trick of the tour — named after Pink’s seventh studio album, which came out in November — that was safe-seeming stuff.But during the well-paced, super-efficient, 1-hour-and-45-minute set And Pink really connected in her between-song interludes.

There wasn’t a tremendous amount of Philly talk, though a minimalist approach works wonders these days when all a locally bred artist needs to say is “So … The other sweet touch was shouting out her guidance counselor from junior high at Lenape Middle School, whom she praised as “the only adult who ever stuck up for me in school.

And you, my darling girl, are beautiful.” With that, she threw herself into her 2010 hit “Raise Your Glass,” calling out to “all my underdogs,” and getting the party started all over again.